Jose Cuervo
Custom typeface
What happens when you combine an award-winning advertising agency, a spirited lettering artist, the world’s best-selling tequila, and XYZ Type? You get a unique combination of sign painting and typographic technical know-how that delivers above and beyond for the client.
Inspired by classic Mexican sign painting
Advertising agency Mekanism commissioned Mexican-born, NYC-based lettering artist Abraham Lule to create custom sign painting by hand for tequila brand Jose Cuervo. Ben Kiel translated the painted artwork into working color fonts that Mekanism could use in print and digital advertisements.
In celebration of Jose Cuervo’s two-century-old business in the town of Tequila, Jalisco, Abraham painted energetic letterforms in six distinct styles based on classic Mexican sign painting, including a rigid block style, a casual script, and a gothic with a 3D drop shadow. All told, he painted nearly a thousand glyphs and scanned the best examples, which became the basis for Ben’s work.
This complex job couldn’t be completed without the expertise and optimism of someone like Ben Kiel. Of the many challenges involved in designing bespoke fonts, this project included retaining the transparencies of sign painting into each character through pixels, not vectorial images, which is a rarity in our field.
Abraham Lule, lettering artistTechnical know-how and aesthetic precision
Ben called on his unique combination of technical acumen in font engineering, coding, and type design to strategically address the thorny problems of turning complex, colorful lettering into usable font files.
The first step was to determine the best technology for the job. To create color fonts, Ben knew that he could use either vector or raster formats, and that each had pros and cons.
It was a whole nerdfest, how to get it to work.
Ben Kiel, XYZ TypeVector-based fonts would produce relatively small files and would be easy to scale to large sizes, but they would also look digital and feel less authentic. Raster files would keep the brush texture of the original lettering, but with downsides in file size and software compatibility.
To meet the technical requirements without compromising the lettering’s “perfectly imperfect” aesthetic, Mekanism decided they needed the flexibility to have it both ways. So, Ben built all the fonts twice.
Jose Cuervo Pepino’s OpenType code in action.
To create fonts up to speed with the latest technologies, he used custom shell scripts, unique Photoshop workflows, and special Robofont tricks. And for the script typeface’s contextual alternates, he wrote intelligent OpenType code to deploy Abraham’s many glyph paintings into a spontaneous flow with smooth connections.
Throughout the process, Ben’s confidence and clarity of speech helped me focus on the design of the characters. At the same time, he successfully turned the letters into fonts, alleviating the pressure of a project of this scale. He delivered on every single detail above and beyond.
Abraham Lule, Lettering ArtistDelivering the goods
Ben developed special shell scripts and unique Photoshop workflows, and pulled some special RoboFont tricks out of his hat, to help create an unorthodox family of six typeface styles with tequila-inspired names. And through clever problem-solving and some highly skilled sign painting, together Ben and Abraham distilled an iconic Mexican aesthetic into a refreshing voice for Jose Cuervo.